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Something I’ve run into quite a lot while doing the whole “project manager” thing is artist who are openly hostile to the idea of engaging with the “business side” of what they do. There’s this broad perception that that business side of art means advertising and merchandising and selling out, and while it certainly can mean that, a lot of it is much more basic - and it’s stuff that’s absolutely not optional if art is anything beyond a personal fun-time hobby for you. Stuff like: 1. Having reality-based metrics for time and resource commitment - or, in plain English, making sure that what you’re charging for your commissions is actually based on how hard they are to do. It’s downright shocking how rare this is. I’ve encountered digital artists who routinely charge less for a spec that takes them much longer to do based on purely abstract notions of how “complex” the piece is, without reference to their actual, demonstrable time commitment. Heck, I’ve run into a traditional artist who ended up making nickles per hour for a major commission because she hadn’t correctly tallied up the cost of the art supplies expended in producing it!

The only way to arrive at appropriate metrics is based on evidence; your off-the-cuff estimates will always, always be wrong. Literally time yourself as you work on pieces of various types, and write down how long it took you.

And never assume that it will be quicker next time; that’s called the, and it will eat you alive if you let it. Having a lifecycle management plan for the tools you need to work. Tablets don’t last forever. Tamil Serial Actress Tinky. Neither do computers. Even software can become so outdated and incompatible as to lose utility over time.

Basically, your tools have a finite lifespan, and you need to have a plan for replacing them as needed. Sketchup Pro 2013 Keygen Download. I understand that many independent artists don’t have the means to save up for new and replacement tools, and rely on second-hand hardware, gifts from friends and family, or donation drives on their blogs to fill the gap. That’s fine - artists relying on patronage has a long and distinguished history. The important thing is that these avenues be part of a plan, not a desperate scramble after some 100% foreseeable circumstance has rendered you unable to work.