Michael Davis’ Hip-Bone Big Band lives up to what a modern big band jazz ensemble should be. The trombonist, composer, and producer leads his hippest of hip big bands through 12 of his original compositions and arrangements, hanging back on the beats just so before the melodic drops. “Some of these compositions were originally written in the late '90s, while others were finished a few days before going into the studio. Having an ensemble of this magnitude record your music is a dream come true for any musician,” David explained in a press release from. “Butter Ball” is the coolest of hangs as the rhythm section drags the drops until the horns are hitting those beats almost a tad behind.

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The loping drag makes for an unusual, quite modern twist on the usual big band make-up always trying to go for broke on top of the number. When the horns hit their marks, they hit with the marksmanship of a street hustler on his final victorious round, collecting favors. Color Finesse 3 Скачать more. The volume and dynamics are there, but so are the personalities exploding and ebullient on every composition.

Due out this Friday on, Hip-Bone Big Band — Davis’ 11th album — gives New York’s finest a chance to groove together and play with pulsating rhythms. The names on Davis’ Hip-Bone Big Band roster are the names on every big band list: ’s (lead alto), Nick Marchione (lead trumpet), and (jazz trumpet chair), baritone saxophonist (), (’s main tenor sax), drummer Will Kennedy, ’s keyboardist Andy Ezrin, bassist, and tenor saxophonist Bob Malach, not to mention those fellow trombonists,, Bill Reichenbach,,,,, and from L.A. You know the recording’s serious when the trombone players arrive, and they arrive to do a number on everything.

“Zaq Attack” booms with the rising tide of the trombonists, the saxes, and trumpets in hot pursuit. Hip-Bone Big Band is less a masculine assault than a theatrical, if edgy, showcase of what the horns can do on their own, guided seamlessly, unobtrusively by the rhythm section. “Zona” is a good example of the curvaceous finesse involved in the intricate lyricism of the composition’s language, proving horn players don’t always have to go hard for the right romantic setting. Davis started out gigging regularly with drummer and big band leader Buddy Rich, the most solid of all job references. Playing on Rich’s band afforded the trombonist opportunities with other performers, like Frank Sinatra. Davis would back Sinatra for seven years, as well as the from 1994 to 2007. He’s also been a part of Woody Herman and Louis Bellson’s orchestras before earning a chair on ’s big band.

As a guest artist, Davis also visits colleges all over the country. Keeping the cost of education in mind, the trombonist will give his new album away for free to the students of the colleges he visits. “It's vitally important for young musicians to have the opportunity to listen to and emulate the music they perform, and in this case, the music from Hip-Bone Big Band. Through this album, I'm thrilled to be able to contribute to their musical development in some small way,” Davis added. Hip-Bone Music is his record label. It’s also a resource for students, offering online master classes, books, and ways to practice and learn from the best horn players in the nation.